ulrich franzen

Not everyone liked the skywalks, which connect buildings Franzen designed at Hunter College on Lexington Avenue.Neighbors lamented the loss of sunlight. Ulrich Franzen, a German-born architect whose fortresslike buildings seemed to buttress the interior landscape of New York City during the shaky 1970s, and who gave it …

After receiving his bachelor’s degree there, he spent a semester at Harvard’s architecture school before joining the Army and serving in the Office of Strategic Services. Mr. Franzen’s early works are exemplars of the Modernist style, among them his first designs for private residences, most of them clean-lined, single-level structures perched on waterfronts and rock ledges, wrapped in sliding glass and flooded with light. Critics praised it as a triumph of the Brutalist style, characterized by the use of rough exterior materials like concrete.But many Houstonians hated it. The Brutalist style of the building, which opened in 1968, was criticized by some. “And it widened the public perception about urban space.”Mr.

“The two together,” she said, “take out more sky than you think.”But as Mr. Franzen had hoped, the walkways became the central arteries of college life. Ulrich Franzen, a German-born architect whose design of Houston's Alley Theater building in the 1960s created controversy, died Oct. 6 in Santa Fe, N.M. Inscrivez-vous sur Facebook pour communiquer avec Ernst-Ulrich Franzen et d’autres personnes que vous pouvez connaître. The group was deeply influenced by the Bauhaus architecture masters Walter Gropius and Marcel Breuer, who taught at Harvard after fleeing the rise of Nazism in Germany in the 1930s. “He built a concrete fortress,” Mr. Higgins said, “that sort of summed up the emotional landscape of New York in the ’70s.”The building, rising 26 stories, featured a novel form of public space: an enclosed sculpture gallery on the ground floor, with works from the Whitney Museum of American Art. Stern, also dean of the Yale School of Architecture, said Wednesday that people had grown more comfortable with his work at Hunter College.‘‘It wasn’t everybody’s idea of a charming college campus experience, but it was interesting,’’ he said.

A third walkway links buildings over 68th Street.‘‘It’s the one at the third-story level that’s most oppressive, I think, because it’s low,’’ Margot Wellington, executive director of the Municipal Art Society, said in an interview for the 2006 book ‘‘New York 2000: Architecture and Urbanism Between the Bicentennial and the Millennium,’’ by Robert A.M. Stern. His father, Eric, was a writer and a translator of Shakespeare, his mother, the former Lisbeth Hellersberg, a psychologist. Franzen applied Brutalism again in designing two 17-story concrete and glass towers for Hunter College, a branch of the City University of New York.Begun in 1972 and finished in 1984 the buildings stand on opposite sides of Lexington Avenue between 67th and 68th streets. (Philip Morris, now the Altria Group, sold the building in 2008, and the gallery closed as well.) Ulrich Franzen, a German-born architect whose fortresslike buildings seemed to buttress the psychological landscape of New York City during the shaky 1970s, and who gave it … The mall, which opened on a former air field in 1956, is a vast duplex in an ocean of parking space. Franzen’s most high-profile project in New York was “It was about the city’s viability as a corporate center,” said William J. Higgins, a landmarks preservation consultant.The city had not fully emerged from its brush with bankruptcy when Philip Morris undertook the project. Oktober 2012 in Santa Fe, New Mexico ) war ein US-amerikanischer Architekt deutscher Herkunft.

He returned to Harvard after the war and received his master’s degree in 1950.He and his wife lived for many years in Rye, N.Y., in a house he designed, before retiring to Santa Fe. The group was deeply influenced by the Bauhaus architecture masters Walter Gropius and Marcel Breuer, who taught at Harvard after fleeing the rise of Nazism in Germany in the 1930s. His father, Eric, was a writer and a translator of Shakespeare, his mother, the former Lisbeth Hellersberg, a psychologist. The obituary was featured in New York Times on October 10, 2012, and Santa Fe New Mexican on October 11, 2012.

It was considered risky, and Mr. Franzen’s design reflected the mood of both his client and the city.

“And it widened the public perception about urban space.”Mr. It was considered risky, and Mr. Franzen’s design reflected the mood of both his client and the city. But many Houston residents hated it. View Ulrich Franzen’s professional profile on Relationship Science, the database of decision makers.